The love track between Zareena (played beautifully by Huma Qureshi) and Kaala initially seems to go the Kabali-Kumudavalli way, but Ranjith is quick to realise his folly and sets up a beautiful dinner scene featuring the ex-lovers, where Kaala clarifies his priorities. However, the pace picks up when it is established that he is the King of Dharavi and no one messes with him. We get a casual, but sweet introduction of the Superstar, as Kaala (short for Karikaalan). We are shown evil politicians and land mafia hatching plans to destroy the slums of Dharavi to make it Digital Dharavi and Pure Mumbai (an obvious reference to some of the actual government schemes). The film quickly shifts to the present day, in live-action multi-colour (with black being the prominent hue). Kaala begins with an animated story-telling device similar to Bãhubali, wherein the importance of land and the suppression of the downtrodden by the power-hungry is shown. When an evil politician-cum-land mafia don sets his eyes on their land, they revolt. The story is simple… Migrants from Tamil Nadu settle in Dharavi and help build it, and run the city. Kaala Review: This time, Ranjith uses Rajinikanth the Superstar to tell his message - land is the common man’s right.
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